Biographical Statement: I came to U Conn in September of 2007, after having completed my Ph D at NYU. I’ve published on digital media and cultural production, intellectual sociability and literary value and the micro-macro link when analyzing art worlds and cultural consumption. My research sites include Argentina and the US.
The University of Chicago Press has recently published my book, The Opera Fanatic. Ethnography of an Obsession. Based on three years of fieldwork, archival research and 44 in depth interviews, this study serves to make more complex the relationship between engagement with high cultural products and the attainment of social status. Honor in this case is not related to how much recognition fans can gather from peers outside of the opera house or in how much they can convert their lifestyle in capitals and resources (money, connections, jobs) but rather with how they craft themselves as honorable people. Passionate fans produce themselves as worthy selves, through a laborious, sustained long-term engagement with opera.
I’m currently working on 4 projects. The first one, is a stand-alone piece, in direct relation to my previous research. The objective of this particular study is to understand how much social closure the elites managed to produce on opera attendance in Buenos Aires during the foundational period of its main house, the Teatro Colón (1908-1931). As a result of it, I’m writing a comparative article focused on the organization of opera in Buenos Aires and Milan, with an emphasis in the interplay of elites, immigrant populations, mass parties and State institutions in the early organization of high culture and its consequences in terms of audience stratification.
The second project, a collaboration with colleague Andrew Deener, will look at the micro level of the political economy of fashion globalization, focusing on trend forecasting agencies, second rate clothing and accessories companies and urban retail districts and the ways in which they participate in producing both patterns of innovation and reproduction. The study will start by focusing in a few firms from New York, Buenos Aires and L.A., but we hope to extend it to other locations later on.
A third project, with Argentinean Anthropologist Pablo Semán, looks at the similar mechanisms through which Pentecostal churches and garage rock bands establish their legitimacy within poor neighborhoods of the Buenos Aires Metropolitan Area. The resulting article contributes to the literature by looking at a micro level (and in a Latin American context) at the ways in which particular entrepreneurs accumulate resources and achieve legitimacy of the cultural classifications within the larger musical and religious context.
I have recently started a fifth project, the study of professional elites in Argentina seen through an interview and archival based study of the economic, professional and social lives (1984-2010) of the graduates of the most prestigious public high school in the country: the National School of Buenos Aires (CNBA). The aim of the project is threefold. First, it seeks to understand the impact of large scale social structure transformations in the personal lives of middle class professionals; secondly, it locates the particular ways in which graduates from this school distinguish themselves from others and their social trajectories; and thirdly, it understands how the professional middle class reproduced itself in a moment of political, economical and social upheaval. |
University of Connecticut |